Hard at work, protecting the realm from the disembodied tentacles coming in from just out of frame.
10.5x14 inches, painted in watercolor. Available for purchase.
Friendly reminder - time is running out to get your very own issue of Traditional Rod And Kulture Illustrated #34, featuring my work. New issue's coming out soon, get that one, too. It's going to be awesome.
Tuesday, September 17, 2013
Tuesday, September 10, 2013
Surf Weirdos #13
Uh-oh!
It appears that while an altered wheelbase gasser with fat slicks is absolutely brilliant for a quarter mile long strip of tarmac, it's not so good for surfing.
I don't use purple much when painting cars, but it seemed appropriate here.
10x14 inches, painted in watercolor. Available on Daily Paintworks.
It appears that while an altered wheelbase gasser with fat slicks is absolutely brilliant for a quarter mile long strip of tarmac, it's not so good for surfing.
I don't use purple much when painting cars, but it seemed appropriate here.
10x14 inches, painted in watercolor. Available on Daily Paintworks.
Wednesday, September 4, 2013
The Primitive #5
"Scientists now believe that the post-apocalypse wasteland will be a mashup of Mad Max and One Million Years, B.C. They are recommending people take better care of themselves now, so they don't miss it."
Many years ago, I drew a Jeep FC with a suicide front end, but kept the engine under/inside the cab. I thought it might be a good way for a welder or frame builder to showcase their skills without having an engine in the way. Not the most brilliant scheme, I admit, but that's where this idea came from.
8x14 inches, painted in watercolor. Available at Daily Paintworks.
Saturday, August 24, 2013
Surf Weirdos #10
The only valid reason to get the undercoating option.
10x10 inches, painted in watercolor. Available at Daily Paintworks.
Thursday, August 15, 2013
The Bride Of Fishenstein
This piece started out as a small volleyball pinup sketch. Through a series of refinements and redraws, it gradually evolved into what you see here. How and why this happened is difficult to explain. I suspect it has something to do with the subconscious's ability to store, sift and assemble vast amounts of useless bits of data and imagery. Sort of a solitaire of the mind, played with a deck of a million cards.
Mr. Fishenstein there has been recast in another piece I'm working on. It appears being decapitated hasn't kept him from getting ahead. (Badum Bump! Zing!!)
14x21 inches, painted in watercolor.
Mr. Fishenstein there has been recast in another piece I'm working on. It appears being decapitated hasn't kept him from getting ahead. (Badum Bump! Zing!!)
14x21 inches, painted in watercolor.
Monday, August 5, 2013
Surf Weirdos 11
When I'm done with a painting, I usually set it aside for a week or so, hidden out of sight. Then I dig it out and look at it with fresh eyes and do final adjustments as needed. Usually, these adjustments don't amount to much; a little detail here, a color tweak there. For example, in this piece I repainted the wave on the left to make it more imposing and added some sea spray around the car. I also darkened the red of the car below the waterline. Maybe I'll go back again and make that wave bigger yet, or save that for the next piece.
Here's the previous version for comparison.
8x21 inches, painted in watercolor. Available for purchase at Daily Paintworks.
And now...
My artwork is being featured in the current issue of Traditional Rod n Kulture Illustrated magazine, one of the finest hot rod mags around. It's so cool it comes with two front covers! The good folks at R&K have managed to make me seem like a moderately coherent member of society, which all by itself would be worth the price of admission. Production values are top notch, from the writing and photography to the print quality. Even the advertising is cool, and that's just impossible. So go pick up a copy, and gain some insight on the evolution of these paintings, and then stick around for the gassers, rods, customs, and pinups.
But wait...
There's more. After you've read the magazine cover to cover, go on over to Set to Stun Productions and look up the Friction in the Static podcast, episode 172. Yes, that's right, you can hear me ramble on about my work, the evolution of the Weirdos, and melting all my crayons. And thanks to the miracle of post production, I sound like a perfectly ordinary human (mostly). Then, after you've listened to me butcher the English language, you still have at least 171 other Friction podcasts to enjoy.
Wednesday, July 24, 2013
Hand Drawn T Shirts
This is something I've been dabbling with for about a year now. I draw the image on a t shirt using a squeeze bottle filled with screenprinting ink, and then use a piece of cardboard to move it around to create grays and patina. The ink is a water based textile ink which softens a bit after being washed, so the image has a sort of "lived in" look.
They're fun to do, as I get to be a bit messy, and I can draw the same thing multiple times and never wind up with two identical images. For instance, the next time I draw Truck Monster, maybe there's someone behind the wheel, or perhaps I chop the truck. They also finish quickly, as it's supremely difficult to be fiddly when you're essentially drawing with a glue bottle and a spatula. You have to go with the flow, which can make for some interesting results.
I've put a few of these drawn shirts up on ebay. The shirts are all Hanes Beefy T in classic white, different sizes. Quantities are, naturally, limited, though I do plan to add more designs as time marches on.
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